{"title":"In Good Company","description":"\u003ch2 data-section-id=\"vux612\" data-start=\"184\" data-end=\"206\"\u003e\u003cspan role=\"text\"\u003e\u003cem data-start=\"187\" data-end=\"204\"\u003eIn Good Company\u003c\/em\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 data-section-id=\"11tf7tc\" data-start=\"207\" data-end=\"259\"\u003eCurated by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHarriet Links\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"261\" data-end=\"571\"\u003e\u003cem data-start=\"261\" data-end=\"278\"\u003eIn Good Company\u003c\/em\u003e is an online group exhibition bringing together Australian and international women artists across emerging and established practices. The exhibition celebrates connection, visibility, and the power of artists supporting artists through shared networks and community.\u003c\/p\u003e\n\u003cp data-start=\"573\" data-end=\"925\"\u003eDeveloped in response to a slower and increasingly difficult art market, \u003cem data-start=\"646\" data-end=\"663\"\u003eIn Good Company\u003c\/em\u003e creates opportunity outside traditional gallery structures. The exhibition is grounded in generosity and agency — a model where artists are able to share and sell work directly through collective networks, without commission structures diminishing their return.\u003c\/p\u003e\n\u003cp data-start=\"927\" data-end=\"1016\"\u003eAt its core, the exhibition is about being seen and building stronger community, together.\u003c\/p\u003e\n\u003cp data-start=\"1018\" data-end=\"1334\"\u003eHarriet Links has invited each artist personally, drawing on long-standing relationships, shared histories, and a deep admiration for their practices and outcomes. The result is a richly layered exhibition reflecting the diversity, intelligence, sensitivity, and strength of contemporary women’s art practices today.\u003c\/p\u003e\n\u003cp data-start=\"1336\" data-end=\"1658\"\u003eIn a moment shaped by rising living costs and economic uncertainty, \u003cem data-start=\"1404\" data-end=\"1421\"\u003eIn Good Company\u003c\/em\u003e seeks to make collecting art more accessible while directly supporting artists. The exhibition offers works at approachable price points, encouraging new collectors and wider audiences to engage with and live alongside contemporary art.\u003c\/p\u003e\n\u003cp data-start=\"1660\" data-end=\"1838\"\u003eMore than a group show, \u003cem data-start=\"1684\" data-end=\"1701\"\u003eIn Good Company\u003c\/em\u003e is an act of mutual support — artists creating visibility and opportunity for one another through community, conversation, and exchange.\u003c\/p\u003e\n\u003cp data-start=\"1840\" data-end=\"1999\" data-is-only-node=\"\"\u003eThis exhibition celebrates what becomes possible when women artists come together: connection, resilience, growth, and the enduring value of creative networks.\u003c\/p\u003e","products":[{"product_id":"safekeeping","title":"Safekeeping","description":"\u003cp\u003e\u003cspan\u003eRobyn Rich\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on timber panel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e14.7 x 21cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI first came across Robyn Rich’s incredibly detailed and technical work through the ACB Selects Group Show at Michael Reid, Northern Beaches in Sydney, and I’ve been drawn to her practice ever since.\u003c\/p\u003e\n\u003cp\u003eRobyn is a miniature artist working in oils, and her paintings of eyes—small, intimate works on found and vintage objects like tins, spoons, and vessels—carry a remarkable sense of presence. There’s something very compelling about the way she invites you to slow down and really look.\u003c\/p\u003e\n\u003cp\u003eI’m particularly interested in her connection to the history of Georgian Lover’s Eyes, and the way that translates into a contemporary practice centred on observation, anonymity, and intimacy all at once. Each piece feels like a quiet study in attention.\u003c\/p\u003e\n\u003cp\u003eHer current project, \u003ci\u003eTHE SEEN\u003c\/i\u003e, is especially powerful—around one hundred anonymous eyes painted on found objects from people all over the world. Numbered rather than named, they form a collective portrait built through looking. It’s an ambitious and thoughtful body of work, culminating in her first solo exhibition in the US at Hidell Brooks Gallery in Charlotte in 2027. \u003c\/p\u003e\n\u003cp\u003eArtsist Statement\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI collect old tins and found vessels, objects that once held something else entirely. Cigarettes, pastilles, crayons. Their original contents are long gone, but the vessels remain, waiting. I paint eyes into them, giving them someone new to hold. Each one becomes a small act of safekeeping, a gaze nestled inside something that has outlived its original purpose and found another. This painting gathers them together in the dark, quiet and held. A collection of collections. Objects that have carried things across time, now carrying something far more intimate, the steady, patient act of being seen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe will contact you with shipping details once purchased. (Shipping will be approximately $20 Australia and $50 Worldwide.)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Robyn Rich","offers":[{"title":"Default Title","offer_id":53481141502136,"sku":null,"price":1750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Safekeeping_Robyn_Rich.jpg?v=1779151276"},{"product_id":"doug-at-sunrise","title":"Doug at Sunrise","description":"\u003cp\u003e\u003cspan\u003eLisa Moroney\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e125 x 95 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI’ve known Lisa Maroney for some time now, and first came across her work at the Glover Art Prize a few years ago. She’s a wonderful artist and an equally generous person, always giving her time and bringing a genuinely positive energy to those around her.\u003c\/p\u003e\n\u003cp\u003eBased in Hobart, Lisa paints still life and landscape with a sensitive attention to light, colour and space. Her still life works draw from the objects and flora in and around her home, while her landscapes reflect her deep connection to the Tasmanian Midlands, where she lives and works on a sheep property.\u003c\/p\u003e\n\u003cp\u003eLisa has been a finalist in the Glover Art Prize, the Henry Jones Art Prize, and most recently the inaugural Bridge Art Prize. I’m really pleased to share her work here.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy painting, Doug at Sunrise, was painted late 2025. The early morning sky that morning on our farm in the Tasmanian Midlands was illuminated with the most incredible pink light. The rising sun made the clouds a pink like no other pink. I rushed out to get a better look, take a reference photo and Doug the Kelpie, our working sheep dog followed me out to check the paddock fences, as he likes to do every morning. So when it came to painting this special image, I had to include Doug, as he was part of the experience that morning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLisa Moroney is a painter based in Hobart and the Midlands of Tasmania. Her still life paintings feature the objects everyday life in and around her home. Minimalist objects in her work mixed with fruit and flora aim to convey the intricacies of light and space with an emphasis on colour. Her landscapes explore her relationship with the Midlands of Tasmania, with long vistas of paddocks, skies, billowing clouds and historic landmarks featuring in her work. When Lisa is not at the easel painting, she works alongside her husband on their sheep property in the Southern Midlands producing wool and lambs. Lisa has a Bachelor of Fine Art from the University of Tasmania, and has participated in workshops at the National Art School, Sydney. She has been included in many groups shows in Hobart and has shown her work in commercial galleries in Tasmania and Interstate. Lisa was a finalist in the 2020 and 2023 Glover Prize and the 2021, 2022 \u0026amp; 2023 Henry Jones Art Prize and a Finalist in the 2025 Bridge Art Prize.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lisa Moroney","offers":[{"title":"Default Title","offer_id":53481288827064,"sku":null,"price":3250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/LisaMoronyhero.jpg?v=1779155626"},{"product_id":"apolossa-love","title":"Appaloosa Love","description":"\u003cp\u003e\u003cspan\u003eVictoria Scotti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAppaloosa love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColoured pencils on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e115x115cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI first came across Victoria Scotti through a podcast where she spoke so beautifully about her practice, with such joy and genuine passion for her work. Since then, our mutual respect has grown through Instagram, where I’ve continued to follow her practice closely.\u003c\/p\u003e\n\u003cp\u003eOriginally from Estonia and now based in Spain, Victoria is an equine artist whose drawings carry a quiet intensity. Her graphite and coloured pencil works are exquisitely detailed, yet never feel purely technical—they hold a strong emotional presence, particularly in the way she captures the character and inner life of horses.\u003c\/p\u003e\n\u003cp\u003eThere’s a timeless quality to her classic black and white drawings, built through patience and careful observation, where every mark feels considered. What I really admire is her focus on conveying emotion through posture and expression, allowing the viewer to connect with the animal beyond surface likeness.\u003c\/p\u003e\n\u003cp\u003eHer work reflects both discipline and sensitivity, and it’s clear that her deep respect for horses sits at the centre of everything she creates.\u003c\/p\u003e\n\u003cp\u003eWe will contact you with shipping details once purchased. (Shipping will be approximately $20 Australia and $50 Worldwide.)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Victoria Scotti","offers":[{"title":"Default Title","offer_id":53481309601976,"sku":null,"price":2700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Appaloosacoloredpencils1.jpg?v=1779156095"},{"product_id":"untitled","title":"Untitled (unfolded tea towel, pink stripes)","description":"\u003cp\u003e\u003cspan\u003eMary Stack\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on linen, framed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e53x43cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMary is one of the kindest, most generous artists I know—always encouraging, always quietly supporting those around her. 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There’s a subtle invitation to look closer, to question what we’re seeing—to sit in that space between representation and reality.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMary completed her Bachelor of Fine Arts in 2023. Her work is held in the National Art School collection and she has exhibited widely, including as a finalist in the National Emerging Art Prize 2024. Mary’s current series explores fabric folds, trompe l’œil, and the structure of the grid. Focusing on familiar objects like teatowels, she paints them unfolded to explore how a flat surface can suggest three-dimensional form. Traces of use introduce a quiet tension between order and disorder, subtly disrupting the grid. 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As a fellow Tasmanian artist, her paintings feel deeply connected to place, memory and movement, carrying a sense of rhythm that reflects her lifelong connection to the outdoors and the water.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAdele creates expressive, narrative-driven paintings inspired by everyday life and the feeling of a moment rather than a perfect representation of it. 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Her paintings are completely led by colour in the most joyful, instinctive way.\u003c\/p\u003e\n\u003cp\u003eWhat I really admire is her fearless approach to making—there’s a real sense of freedom in how she builds, layers, and even paints over her work when it feels right. You can feel that energy and movement in the surface, and the way she lets intuition guide each decision.\u003c\/p\u003e\n\u003cp\u003eHer work is vibrant and full of life, with abstracted forms that often drift into a kind of imagined still life. It’s playful, bold, and a reminder of just how powerful colour can be in shifting the mood of a space.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMel Aliendi is a self-taught artist who lives and paints from her small bedroom studio in South Arm, Tasmania. Her paintings are born from curiosity and a search for moments that catch the eye. Happy accidents and blurred edges remain, evidence of the human hand and a reminder of beauty being found in an imperfect world. Mel is drawn to colour and its ability to evoke feeling. Layered with vivid hues and texture, her work explores intuitive mark-making and expressive gesture, guided by intentional looking and a search for rhythm, balance and resolution. Recurring subjects such as pots and plants reflect Mel’s love of domestic space and her confessed homebody nature. Larger landscape works—filled with trees, palms, and small imagined dwellings—shift toward memory and an imagined sense of place. Mel seeks to create paintings that feel contemporary and unique, bringing warmth, colour, and joy into the home and to the viewer. Her fascination with the creative process continues to evolve through experimentation and intuition, forever painting as both practice and way of life. 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We met as finalists in the prize. One of the unexpected gifts of attending without a plus one is that you’re pushed to mingle and step out of your comfort zone—and I’m glad I did, because it led to meeting artists like Brigita. It wasn’t only her work that left a lasting impression, but also her energy and kindness.\u003c\/p\u003e\n\u003cp\u003eI’ve admired her work ever since. There’s something very immediate and visceral about her paintings that stays with you long after seeing them. Brigita’s practice is rooted in feeling rather than representation—her work doesn’t try to replicate a landscape so much as evoke a sense of place.\u003c\/p\u003e\n\u003cp\u003eI’m drawn to the spontaneity in her process, the rawness of her marks, and the way she builds layered, organic forms that feel almost woven or submerged. Her fascination with the underwater world comes through in shifting, unexpected seascapes, held together by a distinct visual language of gestural marks, texture, and intuitive colour.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrigita Lastauskaite is a Lithuanian-born Australian artist who has been based in Melbourne since 1998. She completed a Master of Fine Arts at the Vilnius Art Academy and later studied at the International Summer Academy in Salzburg with Professor Tone Fink (Austria, 2013). The following year she was awarded a scholarship to study with French art duo Annie \u0026amp; Patrick Poirier. Brigita has been a finalist in major awards, including the Mosman, NEAP, Fisher’s Ghost, Blacktown, and Hutchins Art Prizes, and has undertaken residencies in Finland, Lithuania, Japan and Tasmania. Her work has been presented in numerous solo and group exhibitions in Australia and internationally. Deeply fascinated by landscape, organic forms, and textures, Brigita creates paintings that evoke a feeling of place rather than replicate a scene. Her process is spontaneous and visceral, marked by gestural calligraphic marks, layered textures, and distinctive colour harmonies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the work \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis painting was created during my residency in Queenstown, Tasmania, as part of the series The Mountains Never Sleep. Living and working within this landscape, I spent extended time observing the shifting light and complex textures of the surrounding mountains, particularly the remnants of old mining sites near Mt. Owen. The scarred surfaces, exposed strata, and mineral-stained slopes reveal an ongoing dialogue between geological time, human extraction, erosion, and renewal. The work was painted on loose canvas and later stitched onto a stained support, preserving the raw edges and traces of its making. The stains, created from Tasmanian clay and soil, physically ground the painting in the land that inspired it. Rather than simply depicting the landscape, the work becomes materially connected to it—holding within its surface the presence, memory, and enduring weight of place.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(Shipping within Australia $120, worldwide $400 additionally. This will be added after purchase.)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brigita Lastauskaite","offers":[{"title":"Default Title","offer_id":53481330966712,"sku":null,"price":2500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Lastauskaite_Brigita_Mountainsneversleep5_101x101cm_1.jpg?v=1779157667"},{"product_id":"pickles","title":"Pickles","description":"\u003cp\u003e\u003cspan\u003eDiana Ellinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e40cm x 47.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI’ve known of Diana's family for years—I went to school with her big sister, and later discovered her incredible work through a dear friend. It’s been such a joy following her practice since, and I was thrilled when she said yes to being part of this group show.\u003c\/p\u003e\n\u003cp\u003eDiana is a National Emerging Art Prize alumni, and her abstract work is just stunning—thoughtful, expressive, and deeply considered. Alongside her fine art practice, she brings years of experience in design, which you can really feel in the clarity and sensitivity of her work.\u003c\/p\u003e\n\u003cp\u003eI’ve always admired the quiet confidence in what she makes. It feels so special to have her included—another brilliant woman artist bringing her unique voice to the conversation.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Statment \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiana Ellinger’s painting practice explores abstraction. Her process-driven work is a patchwork of methodologies and modes of thinking that weave together pockets of repurposed abstract expressionism with her own constructed painterly systems. Anti-compositional strategies – use of ready-made marks, colour and erasure combined with the subconscious working of gestural art – make Ellinger’s paintings complex. Ellinger wants to re-do gestural art, but on her own terms finding ways to use the material honestly and playfully. Her paintings work themselves out. Their process makes them. Deep layering affords the viewer a kind of archaeological dig through an entanglement of forms obliterated and then revealed. Buried brushwork scars the surface, reappearing layers later. This is where the ready-made elements – poured paint, found marks, geometric shapes – come into compositional play. Colour is important. Ellinger works with a collection of mixed colours that she names – bored grey, garage pink, nico green, and so on – each one like an old friend to call upon when needed, each with its own weight, personality and function. Slippages in their exact make-up sneak into the work, a type of automatism dictated by memory, quietly but surely influencing process. Ellinger uses proximity of colours and the push and pull of light and dark to build uncanny spaces where forms weave, pulse and hum. Chance and movement through the application of paint and its removal, through crude shapes and the bumpiness of layered paint creates a sense of unpredictability and discovery. There is a kind of coyness of approach, one that reaches the destination indirectly via a network of unused backstreets. Ellinger’s art celebrates the discarded, over-looked or forgotten things. And in those things it finds beauty and puts them to use. Her working cycle is a closed-loop that flicks up dirt and settles it back down into a friable substance, extending a life, making-do, squeezing out the last drop, stitching it all together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiana Ellinger lives in Nairobi. She is an illustrator, graphic designer and fine artist. Ellinger has shown multiple times at the Canberra Contemporary Art Space in Manuka and the School of Art and Design Gallery at ANU. Her recent show in Nairobi with Valerie Brennan, Odyssey, was a vibrant exploration of abstraction and material. In 2023 she was part of the group show GROUNDED at Gallery Jones, Ripponlea. She was a finalist in the National Emerging Art Prize (NEAP) and the Corner Store Gallery Mini Series Art Prize in 2023. She was a finalist in the Omnia Art Prize 2024. Her work has been featured on the popular Australian design blog The Design Files and in Art Edit magazine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Diana Ellinger","offers":[{"title":"Default Title","offer_id":53481353576632,"sku":null,"price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/DianaEllinger-hero.jpg?v=1779159114"},{"product_id":"an-imagined-return","title":"Celebration Self","description":"\u003cp\u003e\u003cspan\u003eAllison James\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic, watercolour, flashe, gouache on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e76.2 x 55.88cm\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-17\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-17\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-17\" data-testid=\"conversation-turn-36\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-3 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"75f44bcd-5e9f-4706-940c-da29031e5616\" dir=\"auto\" data-message-model-slug=\"gpt-5-3-mini\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"196\"\u003eI was so excited when \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eAllison James\u003c\/span\u003e\u003c\/span\u003e said yes to being involved in \u003cem data-start=\"90\" data-end=\"107\"\u003eIn Good Company\u003c\/em\u003e. She’s such an incredible talent, and her work feels so fresh, open, and full of life.\u003c\/p\u003e\n\u003cp data-start=\"198\" data-end=\"578\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWhat I really admire about Allison is her genuine commitment to community and her generosity in sharing both her practice and her thinking around abstract art. There’s a real sense of openness in the way she engages with others and with her work. Her paintings are sublime — layered, expressive, and full of energy — the kind of work that stays with you long after you’ve seen it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllison James is a contemporary abstract painter inspired by the messy, thrilling terrain of human experience and motherhood. She transforms heightened emotions and unresolved feelings into layered works defined by saturated color, subtle detail, and signature silhouettes she calls her “decoder ring things,” inviting personal interpretation. Her process is both cathartic and reflective—distilling heavier themes into compositions that feel unexpectedly light in their final form. She holds a BFA in Painting, Printmaking, and Drawing, and her work has been featured in The New York Times, Architectural Digest, Medium, and Atlanta Magazine, as well as exhibited in group shows across the United States. She lives in central Georgia with her husband, son, and rescue golden retriever.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Allison James","offers":[{"title":"Default Title","offer_id":53481362718904,"sku":null,"price":1998.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Allison_Jmaes_Hero.jpg?v=1779269797"},{"product_id":"glimpses-of-waterfall-valley","title":"Glimpses of waterfall Valley","description":"\u003cp\u003e\u003cspan\u003eKatey Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on Canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e90 x 90cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"317\"\u003eI first came across \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKatey Love\u003c\/span\u003e\u003c\/span\u003e at the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGlover Prize\u003c\/span\u003e\u003c\/span\u003e, and was instantly drawn to her work. I later had the chance to visit her studio in Battery Point in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHobart\u003c\/span\u003e\u003c\/span\u003e, where I ended up purchasing one of her paintings — a piece I still love.\u003c\/p\u003e\n\u003cp data-start=\"319\" data-end=\"635\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eKatey creates these beautifully imagined worlds inspired by her travels around Tasmania, always with a unique and personal twist. There’s a real sense of place in her work, but also a freedom in the way she reinterprets it — turning familiar landscapes into something slightly unexpected, layered, and full of story.\u003c\/p\u003e\n\u003cp data-start=\"319\" data-end=\"635\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan\u003eAbout the work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"319\" data-end=\"635\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan\u003eThe Overland Track passes through an ancient landscape in the centre of Tasmania. 65km and 6 days of ever-changing scenery, from wild heathlands to dolerite mountain tops, and inbetween a magestic world of hidden lakes, buttongrass and dense rainforest, sometimes all encountered within one day of walking. I wanted to capture this epic walk in one abstract painting, and to distill that moment when you stop on the track and really study the plants, colours and textures surrounding you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximate shipping cost within Australia $200. Artist can ship internationally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Katey Love","offers":[{"title":"Default Title","offer_id":53481470623928,"sku":null,"price":900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Love_Katey_Overland.jpg?v=1779162760"},{"product_id":"bali-bass","title":"Bali Bass","description":"\u003cp\u003e\u003cspan\u003eNicole Fearfield\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA\u003c\/span\u003e\u003cspan\u003ecrylic on framed canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e83cm x 66cm x 5.5cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"272\"\u003eI really admire \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNicole Fearfield\u003c\/span\u003e\u003c\/span\u003e for both her professionalism and the depth she brings to her practice. Her work has such a strong atmospheric presence — abstract, sea-inspired, and grounded in a lifelong relationship with water, light, and horizon.\u003c\/p\u003e\n\u003cp data-start=\"274\" data-end=\"656\"\u003eRaised on an island and shaped early by years as a surf lifesaver on Australia’s east coast, Nicole’s connection to the ocean runs deep, later enriched by time spent living across London, Scotland, the Middle East, Asia, and Australia. That sense of movement and observation flows through her paintings, where energy and expansiveness are held within a calm, controlled structure.\u003c\/p\u003e\n\u003cp data-start=\"658\" data-end=\"997\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eHer practice continues to grow and evolve with real intention and discipline. Nicole’s work feels both expansive and refined — full of presence, depth, and quiet power.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNicole Fearfield’s abstract paintings capture a sense of freedom drawn from a love of the sea. They are sensory stories of nurture, wellbeing and joy and embody the spirit of what makes her feel alive. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHer paintings glow with an inner light through skilful colour mixing and layered glazing, curating a beautifully balanced palette that promotes richness, depth and colour vibration. Beginning with joyful memories of days at the beach and the sense of freedom it affords, she applies paint energetically and in broad strokes in a dynamic to- and fro, before layering continents of transparent colour. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEroding the surface, she lets the light shine in, scraping sunlit reflections beaming into the shallows, or light refracting off waves and sand. Low values are uplifted by high; energetic early stages are counteracted by subtle layers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2023, Nicole won the Revival Art and Design Emerging Art Prize, and was commissioned to create 22 original paintings for Brisbane’s luxury apartment development at West Village. Her paintings have been shown at Sydney, Melbourne and Brisbane Affordable Art Fairs; selling out in Melbourne. Her work has appeared in Home Beautiful Magazine and was jury selected for publication in International Art Folio US 2022. Nicole works from her home studio in Brisbane.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShipping within Australia is approximately $150\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational shipping is approximately $500\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nicole Fearfield","offers":[{"title":"Default Title","offer_id":53481499951288,"sku":null,"price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/nichole_fearfield_hero.jpg?v=1779269651"},{"product_id":"18-miles","title":"18 Miles","description":"\u003cp\u003e\u003cspan\u003eKym Mullen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGouache on paper, unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e31 x 41 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"173\"\u003eI first met \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKim Mullen\u003c\/span\u003e\u003c\/span\u003e when we were both finalists in the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLethbridge Landscape Art Prize\u003c\/span\u003e\u003c\/span\u003e last year, and I’ve admired her work ever since.\u003c\/p\u003e\n\u003cp data-start=\"175\" data-end=\"528\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eHer paintings are stunning in their clarity and presence — deeply grounded in landscape, yet full of atmosphere, light, and feeling. There’s a quiet confidence in the way she builds each scene, allowing space, colour, and form to do the speaking. The result is work that feels both expansive and intimate, drawing you right into the experience of place.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKym’s work is an ongoing exploration of surface and colour. Marks are built up instinctively and colours chosen as works progress responding to what has come before. Although her work begins in landscape final paintings are abstracted by distance and memory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kym Mullen","offers":[{"title":"Default Title","offer_id":53481525936312,"sku":null,"price":360.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Kym_b5cc78fe-27cd-4ac5-bef7-59d13b311392.jpg?v=1779163384"},{"product_id":"portrait-of-an-overthinker","title":"Portrait of an Overthinker","description":"\u003cp\u003e\u003cspan\u003eSally Browne\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic and collage on framed board\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e50cm x 40cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"458\"\u003eI first met \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSally Browne\u003c\/span\u003e\u003c\/span\u003e at the Sydney Affordable Art Fair a few years ago, when she was just finishing her studies at the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNational Art School\u003c\/span\u003e\u003c\/span\u003e — and I loved her work then as much as I do now. There’s something so beautifully layered and nuanced in her paintings, full of movement, energy, and life. Her vibrant, bubbly personality really seems to spill straight into the work, giving it a bright, intuitive force.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"945\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSally’s practice unfolds through improvisation, gesture, and revision, hovering between the biomorphic and the domestic, where forms sit just at the edge of recognition. Her paintings feel like they’re always becoming — shifting before they ever fully settle into image or language. When I mentioned this group show to her, she jumped at the opportunity with both hands, which feels so true to the way she approaches her practice: open, responsive, and completely alive to possibility.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSally Browne is a Sydney-based painter whose works drift between abstraction, still life, interiors and landscape. Working without a fixed plan, she builds her paintings through layering, improvisation and response, allowing forms to emerge and unravel over time. Balancing awkwardness, humour and vulnerability, her paintings often hover between recognition and collapse, with fragments of objects, flowers, bodies and spaces appearing throughout the surface. 'Portrait of an Overthinker' became less a portrait of a person and more a painting about the experience of thinking itself; circling thoughts, interruptions, uncertainty and all.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sally Browne","offers":[{"title":"Default Title","offer_id":53481554247864,"sku":null,"price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/SallyBrowne_Portrait_of_an_overthinker_hero_8a0faa01-ae6f-4a2e-930d-ad16d0fea958.jpg?v=1779163599"},{"product_id":"succulent-with-quails-eggs","title":"Succulent with Quail Eggs","description":"\u003cp\u003e\u003cspan\u003eSarah McGrath\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil on birch panel framed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e33 x 23cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI know Sarah McGrath through exhibiting together at The Toowoomba Gallery and Ferris Wheel in Bowral, and I’ve long admired her work—it’s incredibly beautiful, technical, and so thoughtfully made.\u003c\/p\u003e\n\u003cp\u003eSarah paints with a kind of quiet precision. Her still lifes—often layered with vintage objects, soft fabrics, and delicate birdlife—have this luminous, almost photographic quality. There’s a calmness to them, but also a sense of life and movement that gently draws you in.\u003c\/p\u003e\n\u003cp\u003eA favourite of mine is \u003ci\u003eIn the Studio (Kean Onn See)\u003c\/i\u003e (2025), a finalist in the Portia Geach Memorial Award—it captures that same sensitivity and technical brilliance so perfectly. I’m always drawn to the care in her work and the way she elevates the everyday.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSarah is an Australian artist specialising in oil painting. Sarah lives and works in her studio in the Harbourside suburb of Mosman in Sydney. In her still life practice Sarah’s aim is to capture the everyday narrative of simple objects by rendering light and réflection. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSarah has been selected in a range of art prizes including The Portia Geach portrait prize, The Ravenswood, Kennedy art prize and most recently The Still prize. Many of Sarah’s paintings are held in private collections in Australia and overseas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sarah McGrath","offers":[{"title":"Default Title","offer_id":53481564733624,"sku":null,"price":475.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/sarahmc.jpg?v=1779163841"},{"product_id":"call-me","title":"Call Me","description":"\u003cp\u003e\u003cspan\u003eKrystal Bradford\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e90 x 90 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Statement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI am a contemporary abstract artist, exploring ideas of self, identity, loss, and the human experience. As an only child, I’ve always been drawn to the complexities of human relationships and emotional connections. After the recent loss of my father, my work has become more focused on resilience — how we move through challenge, boundaries and how identity is shaped by both relationships and place. My practice is driven by the simplicity of shape, the surface and power of colour. I’m especially interested in scale and how it can create impact and connection for the viewer. Working large allows forms to move beyond the limits of the body, creating a more immersive and heightened experience. I currently live in Brisbane, though Yeppoon in Central Queensland will always be home. Living between the beach, islands, and rainforest as a child, it has deeply influenced my sense of place, and this connection runs through everything I make. Alongside my practice, I’m a secondary Art Teacher (20 years), am a mother of three, have a beautiful dog, and am married to my high school sweetheart — experiences that keep my work grounded in lived life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximately $150 for shipping \u003c\/span\u003ewithin Australia\u003c\/p\u003e\n\u003cp\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Krystal Bradford","offers":[{"title":"Default Title","offer_id":53481569157304,"sku":null,"price":1500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Krystal_hero.jpg?v=1779270297"},{"product_id":"call-me-copy","title":"Tall Side #2","description":"\u003cp\u003e\u003cspan\u003eCK Studio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e750 x 30cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI’ve known Kate and Caroline since I was in Year 7 at school! Kate and I\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ethen went on to art school together, while Caroline and I spent time in London, where she actually introduced me to my husband! We’ve all stayed close over the years, and they still make me laugh!\u003c\/p\u003e\n\u003cp\u003eCK Studio is the collaboration of Caroline Cox and Kate Langridge, a design duo from Hobart, Tasmania. What started as making pieces for their own homes—brightening spaces with colour and form—quickly grew as friends encouraged them to share their work more widely.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTheir work is bright, playful and designed to evolve with the owner, allowing pieces to be interchanged, layered and built into over time. Alongside their core range, they continue to develop new collections, including a focus on more sustainable design, with the aim of bringing accessible, functional art into everyday spaces.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Statement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFriends for over 30 years, most conversations with Kate and Caroline begin with “Did you see….” or “What do you think of…” relating to art and design. With backgrounds in Graphic Design, Fine Arts, Teaching and Business the two share a similar aesthetic. Their love of colour, geometry and wine led them to design pieces for themselves to brighten up their homes. Some worked and some are still in the garage but they were encouraged by friends to start making for others to enjoy. C.K Studio was launched in November 2020. The range is bright, playful and allows the owner to have some fun as pieces can be interchanged and added to. Keep it neutral or add a colour pop, it's up to you. C.K Studio continues to develop new ranges, including a sustainable line, to bring attainable art pieces into people’s homes. They deliver fun, form and function. C.K Studio work has been regularly featured in Real Living Magazine and has been chosen as one of 60 designers internationally to show work at The International Contemporary Furniture Fair ICFF and WantedDesign Manhattan in May 2023.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"CK Studio","offers":[{"title":"Default Title","offer_id":53481574990008,"sku":null,"price":670.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/CKStudio_392824c5-e0c7-4593-9d58-11706c8d5250.jpg?v=1779270514"},{"product_id":"tall-side-2-copy","title":"Dried Not Dead","description":"\u003cp\u003e\u003cspan\u003eEira Chidgey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSalvaged fabric, acrylic, oil and oil stick on canvas, framed in natural oak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e104cm x 79cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI’ve come to know Eira’s work through Instagram and our shared exhibitions with Artbid, and I’ve always been drawn to the quiet honesty she brings to her practice. There’s a sensitivity in the way she builds her surfaces—layer by layer, mark by mark—that feels both deeply personal and widely relatable.\u003c\/p\u003e\n\u003cp\u003eHer work holds that rare balance between strength and softness. You can sense her background in textiles in the attention to pattern, stitch, and material, but it never feels forced—everything is guided by intuition. The themes she explores—memory, motherhood, relationships—unfold gently, inviting you in rather than demanding attention.\u003c\/p\u003e\n\u003cp\u003eWhat I admire most is her willingness to let the work remain raw and unpolished, to trust in instinct over perfection. There’s a kind of freedom in that approach that’s both grounding and inspiring. Her paintings feel lived-in, like they carry time within them—moments of stillness, reflection, and renewal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy intuitive, mixed media practice explores memory, relationships, motherhood and the quiet rhythms of daily life. The work is rooted in storytelling, communicating my internal dialogues, it draws on shared human experiences and emotional connection through colour, mark and texture. With a background in textile design and a first class honours degree in Contemporary Applied Arts, there is a strong sensitivity to surface and pattern, the layered abstract works often incorporate found materials and stitch, creating tactile compositions that balance intuition with material depth. Born and raised in the UK, I am now based in Newcastle NSW, Australia. My work has been selected for several art prizes, exhibited widely and held in private collections across Australia, Europe and the United Kingdom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShipping within \u003c\/span\u003eAustralia $150, International shipping POA\u003c\/p\u003e\n\u003cp\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Eira Chidgey","offers":[{"title":"Default Title","offer_id":53481577152696,"sku":null,"price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Eira_Chidgey_DriedNotDead.jpg?v=1779164679"},{"product_id":"dried-not-dead-copy","title":"Paper Bark","description":"\u003cp\u003e\u003cspan\u003eChantelle Stewart\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMixed media on timber panel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e30 x 30cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eChantelle and I met in a very memorable way—at an emerging art prize night at The Toowoomba Gallery, where we were both finalists. On a bit of a whim, I reached out to her on Instagram beforehand to see if she wanted to meet for a drink before the event. (I was keen to connect with like-minded artists.) She said yes, and the rest is history!\u003c\/p\u003e\n\u003cp\u003eThat night turned into something I’ll always remember—I ended up holding her drink as she gave her winning speech for The Next Big Thing Art Prize. Since then, we’ve stayed in touch regularly, and she even came to visit me at home in Clifton Beach, Tasmania.\u003c\/p\u003e\n\u003cp\u003eHer work is compelling in its scale and physicality. Working primarily in large-scale abstraction, she draws directly from landscape, building surfaces through layers of oil, acrylic, and charcoal. There’s a sense of material push and pull in her paintings that feels both responsive and grounded, as though the work is formed through a dialogue with terrain itself.\u003c\/p\u003e\n\u003cp\u003eChantelle’s practice has a strong presence, shaped by both instinct and control, and it’s been a real pleasure to see her work develop and gain recognition.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtiist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChantelle Stewart is an Australian contemporary artist working primarily in large-scale abstraction shaped by landscape and material. Based on Sydney’s Northern Beaches, her practice is grounded in direct engagement with terrain - layering oils, acrylics and charcoal. Each painting evolves through material resistance and response, resulting in compositions that feel both expansive and grounded. Stewart first gained national recognition after winning The Next Big Thing Art Prize and was most recently a finalist in the Paddington Art Prize, awarded to leading Australian landscape artists. Her works are held in private collections both in Australia and internationally. Very recently, Chantelle has become a finalist in the Abbotsleigh Grace Cossington Smith Art Award.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational shipping is approximately $100\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Chantelle Stewart","offers":[{"title":"Default Title","offer_id":53481578692792,"sku":null,"price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/PaperbarkbushCS.jpg?v=1779165024"},{"product_id":"paper-bark-copy","title":"In Their Element (little penguins)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRachel Harris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColour pencil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e45 × 55cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2024\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-12\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-26\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-12\" data-turn-id=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-12\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3-mini\" dir=\"auto\" data-message-id=\"e140aa62-b8ef-4eb0-8025-1ecb1c1846c6\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-end=\"302\" data-start=\"0\"\u003eI first met \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRachel Harris\u003c\/span\u003e\u003c\/span\u003e through a drawing academy we both attended alongside \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBonny Snowdon\u003c\/span\u003e\u003c\/span\u003e, and later reconnected as fellow finalists in the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenry Jones Art Prize\u003c\/span\u003e\u003c\/span\u003e — where a real mutual respect for each other’s practice quickly formed.\u003c\/p\u003e\n\u003cp data-end=\"669\" data-start=\"304\"\u003eBased in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHobart, T\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003easmania\u003c\/span\u003e\u003c\/span\u003e, Rachel creates exquisitely detailed coloured pencil drawings of native birds, animals, and the occasional beloved pet. Her work is incredibly precise yet deeply heartfelt — capturing not just feather-by-feather detail, but movement, mood, and life itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRachel Harris is a Hobart-based realism artist whose lifelike drawings put a spotlight on native Tasmanian birds and wildlife. A former scientist, she combines precision with storytelling to spark curiosity, invite connection, and highlight conservation issues. Her work has gained recognition locally and overseas, including as a finalist in the Holmes Prize for Excellence in Realistic Australian Bird Art (2022–2025) and the UK’s Sketch for Survival competition (2024–2025).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(Shipping within AustraliaI $160 and international shipping will be approximately $250.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"5f914144-62df-4c75-a0fb-220d8dc39c2d\" class=\"\"\u003e\n\u003csection data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-23\" data-turn-id-container=\"5f914144-62df-4c75-a0fb-220d8dc39c2d\" data-turn-id=\"5f914144-62df-4c75-a0fb-220d8dc39c2d\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pt-12 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"5f914144-62df-4c75-a0fb-220d8dc39c2d\" data-message-author-role=\"user\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden items-end rtl:items-start\"\u003e\n\u003cdiv class=\"flex flex-col w-fit max-w-(--user-chat-width,70%) items-start self-end rtl:items-end rtl:self-start\"\u003e\n\u003cdiv class=\"user-message-bubble-color corner-superellipse\/0.98 relative min-w-0 overflow-hidden rounded-[22px] px-4 py-2.5 leading-6 w-full\"\u003e\n\u003cdiv data-can-expand=\"\" data-testid=\"collapsible-user-message-root\" data-collapsed=\"\" class=\"A_HxFq_root\" data-custom-highlighting-behavior=\"boundary\"\u003e\n\u003cdiv class=\"A_HxFq_content\" data-testid=\"collapsible-user-message-content\" id=\"_r_35_\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-11\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-24\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-11\" data-turn-id=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-11\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-3 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3-mini\" dir=\"auto\" data-message-id=\"9b586ee6-7657-44b3-80d6-77689c8d3046\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"663\" data-start=\"349\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Rachel Harris","offers":[{"title":"Default Title","offer_id":53481581019320,"sku":null,"price":2700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Harris_Rachel_In_their_element_little_penguins_1.2mb.jpg?v=1779667415"},{"product_id":"bali-bass-copy","title":"Remembering","description":"\u003cp\u003e\u003cspan\u003eRos Craig\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e41 x 56cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-11\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-24\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-11\" data-turn-id=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-11\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-3 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3-mini\" dir=\"auto\" data-message-id=\"9b586ee6-7657-44b3-80d6-77689c8d3046\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-end=\"347\" data-start=\"0\"\u003eI first became familiar with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRos Craig\u003c\/span\u003e\u003c\/span\u003e’s work through the Aspire Gallery, Brisbane, and was immediately drawn to her warmth, colour, and quiet sense of joy. Living and painting from her home studio in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLeura\u003c\/span\u003e\u003c\/span\u003e, Ros has such a beautiful way of noticing and celebrating the everyday beauty around her.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"663\" data-start=\"349\"\u003eHer paintings feel like gentle reflections of the things she loves — nature, light, stillness, and connection — with a kind and generous spirit that seems to carry through both her work and every interaction. There’s a sincerity and ease in her practice that makes her paintings feel deeply human and full of life.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Statement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRos Craig lives and paints from her home studio in Leura in the beautiful Blue Mountains of NSW Australia. “I paint what I love! Well, not everything that I love (my Family, trees, love, joy, the quiet, faith)!!! Not quite sure how you paint them! But maybe, just maybe, some glimmers of those things find their way into my work, in the mystery of it all. “ Ros. has been painting ‘seriously’ since late 2019, when her family generously gifted her with a series of Art Classes in Sydney. Her art journey however started well before that at her Mother’s knee. She vividly remembers painting with her Mother on the dining room table in her family home. Art studies followed, in her final years of Secondary school \u0026amp; at Uni. And, ever a pencil or brush in her hand since! “Learning to observe is a great gift. My Mother was highly observant. She was attuned to pattern, shape, colour, form in nature and everywhere else!! Her gardens were works of love \u0026amp; art. ‘What you live with, you become’ I think thats how it works! My paintings can now be found through out Australia and the wider world, chosen generously by many. I marvel and remain so grateful. “\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ros Craig","offers":[{"title":"Default Title","offer_id":53481590292664,"sku":null,"price":880.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/RememberingROS.jpg?v=1779166093"},{"product_id":"remembering-copy","title":"Glimpse of Sunlight","description":"\u003cp\u003e\u003cspan\u003eHannah Blackmore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic on Canvas in a white wooden frame. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e40cm x 40cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"616\" data-start=\"138\"\u003eHannah first came onto my radar through her wonderful books on the business of art, which I discovered while browsing the shelves of the Hobart Bookshop. Not long after, we met through the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSalamanca Arts Centre\u003c\/span\u003e\u003c\/span\u003e while I was exhibiting at SOCIAL Gallery. Hannah has a studio upstairs at SAC, and she’s exactly as you’d hope—kind, generous, and deeply committed to her practice and community. She gives so much of her time and knowledge to supporting other artists.\u003c\/p\u003e\n\u003cp data-end=\"939\" data-start=\"618\"\u003eThat same sense of care carries through her paintings. Her contemporary landscapes are filled with shifting light and soft colour, creating atmospheric spaces that feel calm, expansive, and grounding. The works move beyond a specific location into something more emotional and immersive, inviting a slower way of looking.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1132\" data-start=\"941\"\u003eI deeply value artists like Hannah—not only for the work they make, but for the generosity they bring to the people around them. There’s a quiet strength and sincerity in everything she does.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGlimpse of Sunlight captures a fleeting break in the clouds, where soft light emerges above a moody landscape, bringing warmth, contrast, and a quiet sense of hope. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHannah Blackmore is a contemporary landscape and seascape painter, originally from Jersey in the Channel Islands and now based in Hobart, Tasmania. Growing up surrounded by the sea and influenced by artistic parents, she developed an early connection to both creativity and the natural world, a relationship that continues to shape her work today. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter completing a degree in Fine Art painting, Hannah relocated to Tasmania, where she committed fully to life as a professional artist. The island’s shifting light, rugged coastline, and expansive skies have become an ongoing source of inspiration, informing a practice that is grounded in atmosphere rather than exact representation. Her paintings are less about a specific place and more about capturing the feeling of a landscape - the calm before a storm, the weight of mist, or the glow of light on the horizon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorking primarily with acrylic on canvas, Hannah has developed a distinctive technique of mixing plaster with paint to create richly textured surfaces. Applied with both palette knives and brushes, these layers build depth and movement, allowing each painting to hold both structure and spontaneity. Her work often features stormy skies, coastal horizons, and minimal compositions, unified by a strong sense of colour and light. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow a full-time artist with over a decade of professional practice, Hannah has exhibited regularly and built a strong collector base both within Australia and internationally. Her paintings are held in private collections and are created with the intention of bringing a sense of calm, space, and connection to the natural world into the homes they inhabit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hannah Blackmore","offers":[{"title":"Default Title","offer_id":53481591439544,"sku":null,"price":800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/GlimpseofSunlightHannahBlackmore2026.jpg?v=1779166214"},{"product_id":"remembering-copy-1","title":"Dusty days","description":"\u003cp class=\"p1\"\u003eAdele Bevacqua\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAcrylic on canvas, framed\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e123cm x 123cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdele and met through the Affordable Art Fair in Sydney a few years ago, where we exhibited together with the Toowoomba Gallery. I’ve followed her journey ever since. There’s an immediacy to her paintings that keeps drawing me back—you can feel the energy in her mark-making, the way colour and movement build with a kind of joyful confidence.\u003c\/p\u003e\n\u003cp\u003eHaving both grown up in Tasmania, that shared connection feels present in her work. There’s a natural sense of joy and openness that runs through her paintings. She brings a spirit of play to her practice that’s refreshing—her work doesn’t take itself too seriously, and that invites you to simply experience it rather than overthink.\u003c\/p\u003e\n\u003cp\u003eWhat I really value is her intention to create work that connects emotionally while still feeling light and uplifting. There’s a warmth in her paintings, a sense of ease, that can completely shift the atmosphere of a space—making it feel more personal, more lived-in, like a home.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtist Statement\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eI’m Adele, a Brisbane-based abstract artist with a lifelong love of colour. My work is intuitive and expressive, built through layers of movement, texture and feeling. I’m often guided by music and emotion, and I guess the pull of colour itself - letting each piece unfold naturally rather than beginning with a fixed idea.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMy paintings mirror the space between chaos and calm. Alongside my art practice, I’m also the founder of House of Aya, an artist-led fashion label where my original artworks are transformed into wearable pieces. Whether on canvas or cloth, my work is a celebration of colour as both a language and a feeling.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Adele Bevacqua","offers":[{"title":"Default Title","offer_id":53487124611256,"sku":null,"price":3500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/AB_April26_07.jpg?v=1779267046"},{"product_id":"dusty-days-copy","title":"Connected to the Country","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eKate Marshall Studio (Formerly From The Paint Shed)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e33 x 43 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAcrylic on canvas, framed in American Ash\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e2026\u003c\/p\u003e\n\u003cp\u003eI first connected with Kate Marshall a few years ago through Instagram—we realised pretty quickly we had a lot in common, from teaching backgrounds to raising families and living rurally.\u003c\/p\u003e\n\u003cp\u003eKate’s work is grounded in the countryside she lives in, with a real focus on open landscapes, big skies and those everyday moments of light that feel familiar to so many of us. Based in Wagga Wagga, she paints from her home studio overlooking paddocks and rolling hills, drawing directly from what surrounds her. She completes many beautiful commission pieces throughout the year. Kate brings a considered and professional approach, and has a strong eye for creating and capturing beauty in her surrounds.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKate Marshall Studio creates original Australian landscape paintings that connect collectors to the places they love. Through commissioned works that carry real stories, and original pieces that feel like coming home, every painting is made with intention, skill and a deep respect for the landscape that inspired it.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIf you wish to purchase please make contact through this website.\u003c\/p\u003e","brand":"Kate Marshall","offers":[{"title":"Default Title","offer_id":53487326167224,"sku":null,"price":620.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/kate_Marshall_hero.jpg?v=1779267358"},{"product_id":"connected-to-the-country-copy","title":"Apple Reflections","description":"\u003cp class=\"p1\"\u003eLlael McDonald\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil on canvas, framed\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e80 x 54 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI first came across Llael McDonald’s work through my dear friend Sophie Wood at Among the Pines Gallery in the UK, and it immediately resonated. A few years ago, I brought one of her egg paintings home from Michael Reid Gallery—it now lives in my kitchen, and I adore it. There’s something quietly powerful about it that reveals itself more over time.\u003c\/p\u003e\n\u003cp\u003eLlael paints with a kind of moody nostalgia that feels both personal and universal. Her still lifes—often centred around food—carry layered narratives, inviting reflection on memory, culture, and the rituals that shape our everyday lives. They ask us to slow down and really see what’s in front of us.\u003c\/p\u003e\n\u003cp\u003eAs someone deeply drawn to the symbolism of the familiar, I feel a strong connection to Llael’s work. She honours those quiet, often overlooked moments with such sensitivity and depth.\u003c\/p\u003e\n\u003cp\u003eIt’s a joy to celebrate artists like Llael, and to acknowledge the richness of women’s voices in painting—across Australia and around the world. Her work is a reminder of how much meaning can be held in the simplest of things.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLlael McDonald creates moody, nostalgic still life paintings that elevate the ordinary. Through intimate depictions of food and familiar domestic objects, her work explores culinary heritage, shared histories, and the emotional resonance of everyday rituals. Each painting invites viewers into a visual conversation—rich in atmosphere and layered meaning celebrating food as a cultural connector and unifying force.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtist Bio\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLlael McDonald is a Melbourne-based artist known for her evocative still life paintings that explore memory, nourishment, and the beauty of the everyday. Trained at the Independent College of Art and Design under painter Terri Matassonni, she graduated in 1996 with a top portfolio and has maintained a dedicated studio practice ever since.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer work has been exhibited across Australia and internationally, with recent solo shows including Sumptuous and Plenty at Sketch Co Gallery (2023), Delices at Compendium Gallery, Melbourne (2024), and Savour at Michael Reid Southern Highlands (2024). She has also exhibited at the Sydney and Melbourne Affordable Art Fairs, the Melbourne Art Fair, and internationally at Berdoulat in Bath, UK and Han Feng Art Space in New York.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMcDonald is represented by Michael Reid Northern Beaches and Southern Highlands, Han Feng Art Space (NYC), and Compendium Gallery (Melbourne). She has been a finalist in the National Emerging Art Prize, the Lethbridge Art Prize, and the Bluethumb Art Prize, and is a two-time award-winner at the Tacit Gallery Still Life Prize.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Llael McDonald","offers":[{"title":"Default Title","offer_id":53487396225208,"sku":null,"price":4200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Llael.jpg?v=1779268017"},{"product_id":"apple-reflections-copy","title":"Violet Voila","description":"\u003cp class=\"p1\"\u003eMandy Francis\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil on canvas, framed\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e116cm x 94cm x4cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"304\"\u003eI first came across \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMandy Francis\u003c\/span\u003e\u003c\/span\u003e’s work at the AK Bellinger Gallery, and it immediately stood out for its energy, colour, and sense of play. Her paintings and bird sculptures are full of character — joyful, a little unexpected, and always exciting to spend time with.\u003c\/p\u003e\n\u003cp data-start=\"306\" data-end=\"737\"\u003eMandy’s practice explores ideas around the overlooked and the beauty found in everyday forms. Inspired by shadows, unusual perspectives, and garden fragments, she builds layered worlds using paint, pastels, wire, papier-mâché, and found objects — allowing each work to evolve intuitively through the process itself. There’s a real sense of humour, resilience, and storytelling woven through everything she makes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the work\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese beautiful Native Violets grow in a little nook at the back of my home.. they’re like a little sprinkle of happiness that reminds me about how precious each day is.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Mandy Francis","offers":[{"title":"Default Title","offer_id":53487470248120,"sku":null,"price":2750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Mandy.jpg?v=1779268205"},{"product_id":"violet-voila-copy","title":"Ciel couvert au-dessus des champs","description":"\u003cp class=\"p1\"\u003eJessica Olpp\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil on linen, framed in natural oak\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e43cm x 53cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJessica grew up in the bushlands of Warrandyte and has also lived and worked in France. She is currently based in Caulfield North, Melbourne.\u003c\/p\u003e\n\u003cp\u003eJessica and I have been friends for a while now, connected through the Instagram art community and a few different shows along the way. She is such a warm, kindhearted and encouraging friend. Last year I was fortunate enough to meet her in person when she made the effort to come along to my opening of ‘\u003ci\u003eConversations With Echoes'\u003c\/i\u003e at Brunswick Street Gallery—it was so lovely to finally meet her and her partner and spend time talking about art face to face.\u003c\/p\u003e\n\u003cp\u003eHer work draws on the colour palettes of both Australia and France, beautiful skies, memories of travel, and the quiet simplicity of still life moments. I adore the French influence in her practice, and I’m lucky enough to own one of her landscapes, which hangs in a quiet space in my home—never short of a compliment from visitors (who often ask if I painted it myself, and I’m always tempted to say yes!)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtist Statement\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJessica Olpp is a Melbourne-based visual artist whose work reflects a quiet lyricism and deep appreciation for stillness. Raised among the bushlands of Warrandyte and having lived and worked in France, Jessica brings an introspective and poetic quality to her paintings. A lifelong creative, she began painting as a meditative balance to her career as a French teacher. Her background in classical dance, poetry, and foreign languages informs her visual art practice, which is rich in emotional nuance, atmosphere, and a sense of calm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtist Bio\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJessica’s artwork has been exhibited in solo and group exhibitions across Australia, including a recent solo show at The Victorian Artists’ Society. She is a multi-year finalist in notable national art prizes such as Inside This Box at The Corner Store Gallery, The Next Big Thing at Toowoomba Gallery, and the Omnia Art Prize. Her work has been featured at the Afordable Art Fair in Brisbane, Sydney and Melbourne, showcased in Country Style magazine, and selected by interior designers for commercial spaces including Middle Park European and Elio’s Place on Flinders Lane. Jessica’s work recently featured in The Design Files as part of an interiors shoot of a residence in the Snowy Mountains. Now based in her Caulfield North studio, Jessica continues to create paintings inspired by both natural landscapes and cultural experiences, combining sensitivity, stillness, and refined technique.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Jessica Olpp","offers":[{"title":"Default Title","offer_id":53487518810296,"sku":null,"price":900.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/jessicaolpphero.jpg?v=1779268362"},{"product_id":"ciel-couvert-au-dessus-des-champs-copy","title":"Little House on the Hill, Swan Creek","description":"\u003cp class=\"p1\"\u003eNerida Woolley\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil on board\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e64x64cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI’ve long admired Nerida’s work for the quiet sense of calm it carries. Her landscapes feel deeply familiar—rolling hills, winding roads, and moments of stillness that invite you to slow down and take it all in.\u003c\/p\u003e\n\u003cp\u003eHer use of colour and brushwork has a confidence to it—layered, expressive, yet held together by her beautifully muted palette. It gives her work a timeless quality, as though these places exist just outside of time, grounded in memory as much as observation.\u003c\/p\u003e\n\u003cp\u003eKnowing she works from her on-farm studio in the Northern Rivers, you can sense that closeness to the land in everything she paints. There’s an authenticity in her connection to place that comes through so naturally. And truly—who doesn’t love an Australian landscape?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtist Statement\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNerida Woolley is an Australian landscape painter working primarily in oils. Her paintings explore the quiet beauty of rural Australia—weathered farmhouses, open paddocks, and the soft, shifting colours of the land. Inspired by long drives through the countryside and the legacy of Australian impressionists such as, Arthur Streeton, her work seeks to capture atmosphere, memory, and a sense of place rather than exact detail. Using a restrained palette of muted greens, blues and earth tones, Woolley focuses on light, mood and simplicity. Each painting is an invitation to pause and reflect on the understated poetry of the Australian landscape and the stories held within its quiet spaces.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Nerida Woolley","offers":[{"title":"Default Title","offer_id":53487584739512,"sku":null,"price":1850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/nerida.jpg?v=1779268712"},{"product_id":"little-house-on-the-hill-swan-creek-copy","title":"Rice Straw Stacks","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003c\/span\u003eNataly Lee\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEarth pigment and oil on canvas\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e200cm x 150cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI first met Nataly in a way that feels fitting for the kind of connection her work holds—she walked into my first solo exhibition at Solo Gallery in Hobart, and we immediately struck a chord. Later, we deepened that connection through a course at the National Art School with Tonee Messiah, and I’ve felt lucky to witness her practice up close ever since.\u003c\/p\u003e\n\u003cp\u003eHer work is extraordinary in both its material sensitivity and emotional depth. Drawing from the Cambodian landscape, she creates her own pigments from natural elements—gamboge, water hyacinth roots, fibres—imbuing each piece with a profound sense of place and history. There’s a care and intention in her process that feels almost ritualistic, as though each work is an act of remembrance and restoration.\u003c\/p\u003e\n\u003cp\u003eWhat moves me most is how she weaves the personal with the ecological. Her work speaks to memory, displacement, and return—holding space for both individual and collective histories. Whether through the quiet drift of leaves or the careful binding of thread, there’s a tenderness in the way she approaches complex ideas of belonging and identity. Her practice feels deeply grounded, yet expansive—connecting land, body, and memory in a way that stays with you.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout the Work\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRice Straw Stacks reflects on personal and collective histories and the stories that remain hidden beneath the surface. Built through layers of adding and removing paint, the work suggests fragments of memory that are not immediately visible but still present. The title comes from a story my mother shared about life during the Khmer Rouge era, when lovers would secretly meet among rice straw stacks to share brief moments together. That story stayed with me as a reminder that even in times of violence and uncertainty, small acts of love, care, and humanity can still endure.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArtist Statement\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eI am a Cambodian–Australian multidisciplinary artist working across painting, photography, and installation. Born in Battambang during the Cambodian civil war, my family fled the country when I was eleven months old and spent four years in refugee camps along the Thai–Cambodian border before resettling overseas. This early experience of displacement continues to inform my practice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThrough field based research and image making, I explore themes of memory, migration, landscape, spirituality, and diasporic identity, considering how histories of movement and survival are carried through place, materials, and everyday life. I am interested in how personal and collective histories continue to shape our understanding of belonging and the ways memory persists within lived experience.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e(Shipping will be added after purchase.)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Nataly Lee","offers":[{"title":"Default Title","offer_id":53487600206008,"sku":null,"price":6800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/NatalyLee_RiceStrawStacks_hero.jpg?v=1779268965"},{"product_id":"rice-straw-stacks-copy","title":"Keeping Watch","description":"\u003cp class=\"p1\"\u003eKim Harding\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil on canvas, framed\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e53 x 53cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI first encountered Kim Harding’s work as part of the 2025 National Emerging Art Prize, and it stayed with me long after. There’s a quiet tenderness in the way she paints dogs—held within richly patterned fabrics—that feels both intimate and deeply considered. Her work carries a sense of care, of noticing, that I find incredibly moving.\u003c\/p\u003e\n\u003cp\u003eAs an artist myself, drawn to the stillness and symbolism of rural life, I feel a natural kinship with Kim’s sensitivity to the everyday. She reminds us how much meaning can live in the familiar, how beauty can be both gentle and profound.\u003c\/p\u003e\n\u003cp\u003eIt feels important to celebrate artists like Kim, and to recognise the depth and diversity of women’s voices in painting today—across Australia and far beyond. Her work is a beautiful contribution to that ongoing conversation.\u003c\/p\u003e\n\u003cp\u003eArtist Statement\u003c\/p\u003e\n\u003cp data-start=\"168\" data-end=\"585\"\u003eI am a representational oil painter drawn to the quiet beauty of rural life and the personal symbolism of everyday objects. Working from my farm-based studio near Mudgee, NSW, I explore themes of memory, stillness, and domesticity often through the layered use of pattern, light, and form.\u003c\/p\u003e\n\u003cp data-start=\"168\" data-end=\"585\"\u003eI primarily work in oil, with occasional use of charcoal, pastel, and acrylic to support studies and experimentation.\u003c\/p\u003e\n\u003cp data-start=\"168\" data-end=\"585\"\u003eMy work invites reflection and emotional connection, encouraging viewers to find meaning in the familiar.\u003c\/p\u003e\n\u003cp data-start=\"168\" data-end=\"585\"\u003eArtist Bio\u003c\/p\u003e\n\u003cp data-start=\"220\" data-end=\"587\"\u003eKim Harding is an Australian visual artist living and working on a fine wool merino farm near Mudgee, NSW. Her representational oil paintings reflect a deep interest in memory, domestic life, pattern, and the emotional resonance of ordinary objects. \u003c\/p\u003e\n\u003cp data-start=\"589\" data-end=\"991\"\u003eKim’s creative roots trace back to a remote childhood spent in Far North Queensland and then on Busuanga Island in the Philippines,  formative years that fostered her imagination, love of solitude, and early passion for drawing. After returning to Australia, she studied Graphic Design and later ran her own successful design business, skills that now inform the structure and composition of her visual art.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1423\"\u003eToday, Kim paints full-time from her studio in Ilford, primarily in oils onto canvas. Her work is held in private collections and regularly exhibited across regional galleries, including Satch \u0026amp; Co Gallery (Holbrook), AK Bellinger Gallery (Inverell), and Rosby Gallery (Mudgee). \u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1423\"\u003eKim has received several regional art prizes, and was selected as a finalist for the 2025 Portia Geach Memorial portrait prize. \u003c\/p\u003e\n\u003cp data-start=\"1425\" data-end=\"1798\"\u003eKim has a solo exhibition scheduled at Rosby Gallery in 2025, and her work will also be featured in a group show at Mudgee Regional Gallery in the same year. Kim has an upcoming interview with Christina Lowery in The Art of Making Art Podcast. \u003c\/p\u003e\n\u003cp data-start=\"1425\" data-end=\"1798\"\u003eAlongside her studio practice, she teaches one-day painting workshops, with new sessions scheduled for late 2025. She welcomes commissions and is open to collaboration with curators, collectors, and fellow artists.\u003c\/p\u003e\n\u003cp data-start=\"1425\" data-end=\"1798\"\u003e\u003cspan class=\"s1\"\u003e(Shipping within Australia will be $50 and worldwide approximately $200.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1425\" data-end=\"1798\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Kim Harding","offers":[{"title":"Default Title","offer_id":53487673213112,"sku":null,"price":2300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/kimharding.jpg?v=1779269295"},{"product_id":"keeping-watch-copy","title":"An Imagined Return","description":"\u003cp\u003eJaclyn Poke\u003c\/p\u003e\n\u003cp\u003eAcrylic on canvas\u003cbr\u003e100 x100cm\u003c\/p\u003e\n\u003cp\u003e2026\u003c\/p\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-9\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-9\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-9\" data-testid=\"conversation-turn-20\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-3 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"345161db-264a-4743-8c88-710a8c2eb449\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"410\"\u003eI’ve had the pleasure of crossing paths with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJaclyn Poke\u003c\/span\u003e\u003c\/span\u003e a number of times over the past few years — first as fellow finalists in the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenry Jones Art Prize\u003c\/span\u003e\u003c\/span\u003e, through exhibitions at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSalamanca Arts Centre\u003c\/span\u003e\u003c\/span\u003e, and again at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSydney Road Gallery\u003c\/span\u003e\u003c\/span\u003e. Jaclyn is a wonderful Tasmanian painter whose work continues to grow from strength to strength.\u003c\/p\u003e\n\u003cp data-start=\"412\" data-end=\"863\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eLiving and working on the rugged north west coast of Tasmania, her paintings are deeply connected to place, identity, and the landscape that surrounds her. Working in a contemporary impressionist style, Jaclyn captures the mood, movement, and atmosphere of the coastline with such sensitivity and warmth. Alongside her own practice, her background as a teacher and art therapist brings another layer of care and thoughtfulness to the work she creates.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003eAbout the work\u003c\/p\u003e\n\u003cp\u003eI live in the countryside of Tasmania where wild places surround me every day. I came across this little track to a waterfall at Liffey, along the base of the Western Tiers, and it was like stepping back in time. I wanted to capture the ethereal quality of the scene, quite romantic in nature. Losing myself in the bush feels both comforting and imaginative, a simple but lovely escape.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e(Shipping approximately $150 within Australia and $300 worldwide.)\u003c\/p\u003e\n\u003cp\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Jaclyn Poke","offers":[{"title":"Default Title","offer_id":53490057216184,"sku":null,"price":2500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/JaclynPoke.AnImaginedReturn.2026.100x100cm_1.jpg?v=1779319985"},{"product_id":"many-moons-radiate","title":"Many Moons-Radiate","description":"\u003cp\u003e\u003cspan\u003eJacqueline Scotcher\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic \u0026amp; pastel on canvas, framed in oak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e54 x 44cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eI first connected with Jacqueline Scotcher through Instagram, and later had the pleasure of exhibiting alongside her on Artbid here in Australia. What’s always stood out is her genuine sense of community—she’s a thoughtful and generous presence in the art world.\u003c\/p\u003e\n\u003cp\u003eJacqueline’s paintings explore what it feels like to move through and connect with a place. Built up through layers of colour and texture, her works often hint at paths and horizons—grounded in landscape, but open and intuitive too.\u003c\/p\u003e\n\u003cp\u003eI really admire her focus on presence and connection in her practice. It feels especially important to celebrate artists like Jacqueline, and the many women shaping painting in such considered, quietly powerful ways.\u003c\/p\u003e\n\u003cdiv direction=\"column\" data-placeholder-text=\"Enter a text\" class=\"sc-hKwDye cWHYeV\"\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eAbout the work:\u003c\/div\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eMy ‘Many Moons’ series uses lunar shapes, repetition, and colour gradients to evoke a passage of time. In this painting, I considered how some nights or moments in life stand out in memory, punctuating time. I created a grungy surface and centred an illuminated ‘Moon’ that floats above with clarity. I hope this painting evokes a sense of rhythmic balance amidst change and acts aa a reminder to slow down and allow moments to radiate. About Jacquie: Jacqueline Scotcher is interested in making art about what it feels like moving through and connecting with particular environments. Her layered abstract paintings aim to allude to familiar rhythms from the landscape yet provide space for mind wandering and connections with personal internal experiences. Jacqueline has completed a Bachelor of Visual Arts, Honours in Creative Industries and Doctorate in Philosophy (Creative Arts). She has worked as an artist and educator for the past decade. She currently lives in northern NSW with her young family.\u003c\/div\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jacqueline Scotcher","offers":[{"title":"Default Title","offer_id":53491329106104,"sku":null,"price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Scotcher_MM_Radiate_hero.jpg?v=1779598697"},{"product_id":"many-moons-radiate-copy","title":"Across the Bay","description":"\u003cp\u003e\u003cspan\u003eMichelle Evans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium acrylic and mixed media\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e38 x 38cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"326\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMichelle\u003c\/span\u003e\u003c\/span\u003e’s work is such a joyful celebration of colour, texture, and landscape. Her paintings capture not just the appearance of a place, but the feeling and memory of being within it.\u003c\/p\u003e\n\u003cp data-start=\"328\" data-end=\"798\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWhat I love most about Michelle’s work is the way she notices the smaller details — the curve of a blade of grass, the shape of a leaf, the layers within. Her process feels intuitive and playful, building rich surfaces through acrylic, ink, pastel, and watercolour pencil. The result is work that feels vibrant, expressive, and full of life — and as Michelle says herself, “I can’t tone down the colour even when I try, it’s just me!”\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Statement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMichelle grew up in Melbourne, Victoria, where she pursued a Fine Art degree in painting at Monash University. In 2001, she relocated to Tasmania with her husband and two children and they now reside in Hobart. Michelle’s art practice is a joyful celebration of colour and mark-making, drawing inspiration from the rich layers of the Tasmanian\/lutruwita landscape and the island’s natural beauty. From the rugged mountains, native forests and stunning coastlines, the artist captures the essence of Tasmania's unique environment. Michelle’s paintings are a often a memory of a landscape or a feeling of a place and her response to it. Through her exploration with mixed media she creates intuitive and vibrant works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv direction=\"column\" data-placeholder-text=\"Enter a text\" class=\"sc-hKwDye cWHYeV\"\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Michelle Evans","offers":[{"title":"Default Title","offer_id":53501291790520,"sku":null,"price":535.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/AcrosstheBay.jpg?v=1779598284"},{"product_id":"many-moons-radiate-copy-1","title":"Marion Bay Cray","description":"\u003cp\u003eKatharine Burke of Slow Going\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWool sculpture\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e35 x 32cm x 9cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-7\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-7\" data-turn-id-container=\"request-WEB:2e3857aa-5b92-4f5b-851b-89bd22961add-7\" data-testid=\"conversation-turn-16\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"c27d8a96-a691-40b4-b05d-c4bcfb7beb78\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"312\"\u003eI’m lucky enough to know \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKatherine\u003c\/span\u003e\u003c\/span\u003e through both work and life — our paths seem to keep crossing in the best ways. We actually first met at university, where I stole her room in Star Street, and these days we mostly share stories about children, creativity, and the juggle of art and life.\u003c\/p\u003e\n\u003cp data-start=\"314\" data-end=\"854\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eBased in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMarion Bay\u003c\/span\u003e\u003c\/span\u003e, Katherine creates beautiful slow-made work inspired by the Tasmanian landscape, changing seasons, and traditional craft practices. There’s such warmth and intention behind everything she makes — thoughtful pieces that celebrate handmade processes, beautiful natural materials, and a slower pace of living. Her passion for creativity also extends into the wonderful art workshops she runs for both children and adults, creating gentle and welcoming spaces for people to connect through making.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eMarion Bay Cray is a hand-knitted work developed through observational knitting – a process of translating close observation directly into stitch. Based on the crayfish observed and caught in Marion Bay and the East Coast of Tasmania, the form was built from my sketches, photographs and firsthand observation. Knitted using Tasmanian wool and built up stitch by stitch, the piece connects material and place and sits somewhere between study and object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShipping within Australia $30. Worldwide will be approximately $150.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv direction=\"column\" data-placeholder-text=\"Enter a text\" class=\"sc-hKwDye cWHYeV\"\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Katharine Burke","offers":[{"title":"Default Title","offer_id":53501374202040,"sku":null,"price":350.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/Kat.jpg?v=1779599184"},{"product_id":"marion-bay-cray-copy","title":"Fleeting Moments","description":"\u003cp\u003e\u003cspan\u003eVANNI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e100 x 100 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eI first discovered Vanni’s work through Instagram and was immediately drawn to her expressive use of colour and movement. Born in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBerlin\u003c\/span\u003e\u003c\/span\u003e and now based in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMallorca\u003c\/span\u003e\u003c\/span\u003e, Spain, VANNI creates these wonderfully layered paintings that are authentically her. The work feels fresh, intuitive, and joyfully expressive — an invitation to embrace playfulness in both art and life. What’s not to love!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eVanni’s paintings are an exploration of spontaneity and emotional resonance. Using acrylics on linen, she creates layered compositions that evolve naturally, reflecting her journey to overcome perfectionism and embrace the unexpected. Her work is an invitation to both herself and the viewer to rediscover the freedom and joy found in the creative process, encouraging a playful and liberated perspective on art and life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv direction=\"column\" data-placeholder-text=\"Enter a text\" class=\"sc-hKwDye cWHYeV\"\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"VANNI","offers":[{"title":"Default Title","offer_id":53501403758776,"sku":null,"price":2115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/FleetingMoments_100x100cm_00_web.jpg?v=1779599508"},{"product_id":"fleeting-moments-copy","title":"I see around your edges","description":"\u003cp\u003e\u003cspan\u003eSophie Witter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic on canvas \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e76  x 76 cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eAs a fellow Tasmanian, I’ve always loved \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSophie Witter\u003c\/span\u003e\u003c\/span\u003e’s work for its playful energy and beautiful bursts of colour. Her paintings feel intuitive and personal, built through layers of mark making and a really natural relationship with paint. There’s a quietness to her work that draws you in, while her titles add another relatable, everyday touch. Fresh, expressive, and full of feeling — her work is such a joy to spend time with.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the work\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eThis still life features a collection of my pots and vases, with plants and flowers I have picked from around my studio. These objects appear in many of my works creating a sense of place and familiarity. I have used colour and loose and expressive lines to capture the movement of the flowers and the spaces in between them. I use colour as a starting point in my works and then paint intuitively from there. The works draw attention to the process of painting and that it is human, expressive, and imperfect. I am interested in creating a sense of immediacy and intimacy, inviting the viewer to connect with the work and the moment the paint was applied. The titles of the works reflect what I was contemplating at the time of painting and anchor the works in the everyday tensions of day-to-day life. I am interested in challenging ideas that engaging with and making art needs to be an elite and discrete pursuit and highlight that it can be part of our subjectivity and sit amongst our ordinary and complex lives.\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv direction=\"column\" data-placeholder-text=\"Enter a text\" class=\"sc-hKwDye cWHYeV\"\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sophie Witter","offers":[{"title":"Default Title","offer_id":53501445111992,"sku":null,"price":1950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/sophiew.jpg?v=1779600116"},{"product_id":"fleeting-moments-copy-1","title":"Window To The Sky","description":"\u003cp\u003eBrooke Whelan\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcrylic on canvas, float framed in Black Timber\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e94 x 94cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"556\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBrooke and I\u003c\/span\u003e\u003c\/span\u003e connected through '\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Next Big Thing Art Prize' in 2024 when we were both finalists at this wonderful prize, The Toowoomba Gallery hosts annually\u003c\/span\u003e\u003c\/span\u003e. Brooke’s work has such a beautiful way of capturing the quiet poetry of everyday life — suburban homes, familiar streets, and the subtle moments that often go unnoticed. Through colour, light, and architectural forms, her paintings explore memory, identity, and our connection to home and community in a way that feels both personal and universally relatable.\u003c\/p\u003e\n\u003cp data-start=\"558\" data-end=\"798\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eWhat I also really admire about Brooke is her genuine enthusiasm for her practice and the wider art community. She brings such warmth, generosity, and passion to everything she does, which makes her work feel even more inviting and sincere.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eArtist Statement\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy practice explores memory, identity and the understated lyricism of familiar places. I am drawn to overlooked or in-between spaces, those that hold a sense of stillness while quietly suggesting human presence. Working from my own photographs, I translate these scenes into paintings that distill light, colour and atmosphere, allowing narrative to emerge through subtle details and composition. ‘Window To The Sky’ extends this investigation through the image of caravan, time worn and sunlit. It becomes a kind of threshold; a place of looking out and looking in. There’s a stillness here, but a subtle sense of longing, of stories unfolding just beyond the frame as well as suspended in time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv direction=\"column\" data-placeholder-text=\"Enter a text\" class=\"sc-hKwDye cWHYeV\"\u003e\n\u003cdiv class=\"sc-gSQFLo gFhxtW textField js-textField\" data-placeholder-text=\"Enter a text\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Brooke Whelan","offers":[{"title":"Default Title","offer_id":53501461364920,"sku":null,"price":2600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/BrookeWhero.jpg?v=1779600515"},{"product_id":"rice-straw-stacks-copy-1","title":"A Moment To Myself","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003e\u003c\/span\u003ePenelope Green\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePhotograph on fine art paper, framed\u003cbr\u003e36 x 36cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e2023 \u003c\/p\u003e\n\u003cp data-end=\"491\" data-start=\"105\"\u003ePenny and I first met through the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNational Emerging Art Prize\u003c\/span\u003e\u003c\/span\u003e last year and immediately found common ground. We spoke at the exhibition opening at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Garden Gallery\u003c\/span\u003e\u003c\/span\u003e, where later that evening Penny was awarded the inaugural Photography Prize for her striking work \u003cem data-end=\"417\" data-start=\"398\"\u003eGirl and the Moon\u003c\/em\u003e. Having spent time with her and her work, it was no surprise why she won.\u003c\/p\u003e\n\u003cp data-end=\"931\" data-start=\"493\"\u003ePenny’s photography is deeply attuned to the rhythm and emotional pull of the ocean. An open water swimmer, journalist, author, and mother, she has woven her lifelong love of photography into the fabric of daily life. Living near the sea in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNewcastle\u003c\/span\u003e\u003c\/span\u003e, she heads to the water each day with cameras in hand, embracing the unpredictability of nature and the ever-changing moods of the ocean.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1085\" data-start=\"933\"\u003eHer images are luminous, immersive and instinctive — capturing not just the beauty of the sea, but the joy, freedom and quiet reverence found within it.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e(Shipping with in Australia will be approximately $100)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/p\u003e","brand":"Penelope Green","offers":[{"title":"Default Title","offer_id":53503256035512,"sku":null,"price":800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/7Penelope_Green_Amomenttomyself.jpg?v=1779666157"},{"product_id":"window-to-the-sky-copy","title":"Threading the Divide","description":"\u003cp\u003eHarriet Links\u003c\/p\u003e\n\u003cp\u003eOil on framed linen\u003cbr\u003e83 x 103cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOperating within an abstracted aerial perspective, this work draws on the visual language of a rugged coastline shaped by tidal movement and shifting currents, positioning the landscape as a liminal zone—an unstable threshold where distinct elements converge, resist, and reconfigure. \u003c\/p\u003e\n\u003cp\u003eGestural marks and layered surfaces articulate a sense of geological and emotional time, where accumulation, erosion, and interruption coexist. The composition resists a fixed horizon, proposing instead a field of interrelation in which boundaries remain porous and contingent. Linear passages traverse areas of density and rupture, suggesting connective structures that are continuously negotiated.\u003c\/p\u003e\n\u003cp\u003eIn the context of Making Connections, the work approaches connection as process rather than resolution, acknowledging fracture and distance as generative conditions. It situates itself between landscape and interiority, where tidal movement becomes a framework for relational exchange—dynamic, provisional, and sustained through tension.\u003c\/p\u003e\n\u003cp\u003eArtist Statement\u003c\/p\u003e\n\u003cp\u003eHarriet Links, an emerging artist based in Hobart, Tasmania, finds her creative impulse rooted in a boundless curiosity cultivated through interactions with people and the natural world. Her process is shaped from travel and an abundance of rich life experiences. Harriet seeks to unravel the complexities of her identity and make sense of the evolving world that surrounds her.\u003c\/p\u003e\n\u003cp\u003eHer artistic exploration delves into the intricacies of the human condition, shedding light on what it means to be a woman in today's dynamic and ever-changing global landscape. Harriet’s work is a visual testament to the ongoing journey of self-discovery.\u003c\/p\u003e\n\u003cp\u003eArtist Bio\u003cbr\u003e\u003cspan style=\"font-size: 1rem;\"\u003eHaving graduated with a Bachelor of Fine Arts, Harriet’s artistic practice seeks to unravel the complexities of identity and explore the contemporary female experience. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUsing oil and mixed media, Harriet transforms layers of paint, shape and mark making into vibrant reflections of her inner self, inviting viewers to contemplate their own journey within the shared human experience.\u003c\/p\u003e\n\u003cp\u003ePainting full-time since 2023, her work has graced many exhibitions across Tasmania and on the Mainland, additionally, her work is held in private collections in Australia and overseas. Harriet held three solo shows in Hobart and Melbourne during 2024 and 2025. This year Harriet enjoyed the success of her fourth solo show, ‘In Soft Focus.’ At Schoolhouse, Rosny Farm, Tasmania.\u003c\/p\u003e\n\u003cp\u003eShe was selected as a finalist many times in 2025. Such prizes include: National Emerging Art Prize, Sydney, Lethbridge Landscape Art Prize, Brisbane, The Next Big Thing Art Prize, Toowoomba, and Henry Jones Art Prize, Hobart.\u003c\/p\u003e\n\u003cdiv class=\"sc-hKwDye cWHYeV\" data-placeholder-text=\"Enter a text\" direction=\"column\"\u003e\n\u003cdiv data-placeholder-text=\"Enter a text\" class=\"sc-gSQFLo gFhxtW textField js-textField\"\u003eTo purchase this work please contact Harriet Links through her website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Harriet Links","offers":[{"title":"Default Title","offer_id":53505084260536,"sku":null,"price":2900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/files\/LINKS_HARRIET_ThreadingtheDivide.jpg?v=1779694050"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0648\/4318\/6360\/collections\/SurfaceofTime.jpg?v=1779694132","url":"https:\/\/www.harrietlinks.com\/collections\/in-good-company.oembed?page=2","provider":"Harriet Links","version":"1.0","type":"link"}